March 2012
20 posts
Q: Do you see your work as fitting into the traditions of European fiction—or indeed any national or regional tradition?
A: There are many traditions of European fiction and I think my work has been influenced by some of them: above all a Central-European tradition of the oneiric grotesque (Kafka, Kubin); a tradition of French surrealism (Breton, Mandiargues, Gracq), pre-surrealism (Lautréamont, Jarry, Roussel) and para-surrealism (Michaux); a tradition of “phenomenological” fiction (Proust, Rilke, Larbaud); and also a tradition of generic adventure (Verne) and detective stories (Conan-Doyle, Souvestre & Allain)…
” —From a short interview with Michael Ajvaz at Dalkey Archive. He nicely summarizes the strands of literature I hope to cover on Writers No One Reads. Cram in some loonyness from Russia and the Americas and my entire reading life is revealed.
(via writersnoonereads)SOMA - San Francisco, CA
Cormac M. | Author | Lost in the chaparral, NM
Three stars.
See that false burrito. See it swaddled in tinfoil on the desk in the bowels of that great tower, a bundle of meat and sauce in a place long ago ceded to silicone and copper. The stooped man eating that peasant…
This evening (because evidently I have finally made the crossover to snooty-elitist-sophisticated New Yorker) I attended the New York Philharmonic at Lincoln Center. I am currently enrolled in a Music of New York class and we are focusing on the composer Gustav Mahler, whose 9th symphony was to be…
Update: I have appended this follow-up. All Photos are by Sara Krulwich, staff photographer at the NYT and my mother, with two exceptions. The last is a Reuters picture taken at the event, and the first is credited AP Photo/Dima Gavrysh.
Growing up I was a huge apple fan-boy (fine, still am.)…